I prefer this unfinished and preparatory version: it is more lively and fresher. The figure at the apex of the pyramid of figures is signalling to a clearly visible rescue ship. The composition is simpler and less contrived. I particularly like the way the edge of the raft pitches upwards against the choppy horizon line, punctuated by the huge wave on the left, giving a real sense of being in a stomach-churning swell., and in danger of an imminent capsize.
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